I’m taking some photos of fabrics as I go along and posting to instagram now. If you want to follow, just click the insta icon/link on the right sidebar. Also, for those who don’t know, I also provide updates on my Facebook page, link also at the right sidebar.
The demands on fashion houses are so great now…many collections to design and fashion shows to present (resort and pre-fall shows now in the calendar too) and much higher expectations about the collection promos. Now films are a big part of package. Here is a charming video for Stella McCartney’s summer collection.
I love these dresses she did with the collage of different prints.
I was looking for some images of clothes with polka dots for a fabric I will be posting in a minute and came across this Marni promo video. This whole celebrity culture thing can get a bit much…but I still like looking at the clothes!
No-one can throw prints together as well as Lucinda Chambers, hailed as one of the world’s great fashion editors and stylists. And her Vogue editorials, in the decades since Lucinda became fashion director of British Vogue…well, all of them are admired but some have been elevated to the truly iconic status.
This fabric is the product of a hunt. I had seen a woman looking fab in this sensational green leaves top while she was at the stop light next to me. I could see the “Just Cavalli” signature in the fabric. Hence the hunt began.
I’m sure that being an enfant terrible was the essence of his genius, the great genius of his fashion generation. I’m fascinated in the stories about how he could cut the most complex patterns freestyle, direct on the dress form; a legacy, no doubt, of his Savile Row days.
Who would ever have thought that Sarah Burton could carry on so remarkably the McQueen aesthetic: audacious, fashion as art, technically fearless, frequently menacing, disconcerting and exquisite in the same garment, always triumphant.
All the things these next backstage videos of McQueen runway shows capture in fine detail. Click continue…
Milly does THE best prints and this tri-colour (off-white, grey and deep navy) doves silk is right up there as one of my favourites. I went searching for this fabric and was very happy when I found it.
I have had a number of people ask about decent dress-lengths of good silks and this one fits that bill. Continue reading →
The most exceptional digital prints have emerged in the last few years hot on the heels of the works of designers like Mary Katrantzou – the absolute star of digital design – and Peter Pilotto. I can’t attribute this fabric to a particular designer but I understand that this print is from the Italian mills.
If I am fanatical about the fabrics of any one designer in particular, it would have to be Giorgio Armani. He sources only the best wools, the best silks, the best blends such as linen/viscose mixes. And true to form, this silk is just stunning…
There’s always something a bit uplifting about running your eyes over a Missoni fabric I think. The colours are so happy and joyous and singing together in harmony. And even those who may prefer the most monotone palettes will still be pleased with Missoni colours.
Just because I am offering up a lot of fabrics it doesn’t mean that I don’t love them. This is one of the very loved one – it is a superb quality silk, the print design is perfect, classic but modern, the colours are versatile. It is a great piece.
I listed half of this fabric before, kept half back, but honestly, I am not sewing at all so this piece will surely have a better home than mine. It has been a while since I have made a Ch@nel-type jacket, but this fabric is just calling out to become one now. And it must have fringing.
The basic weave here is a rough-hewn effect black and white threaded weave and warp. Over the top, thicker off-white threads have been woven through. The effect is to make the fabric lighter rather than darker but still maintaining the classic black and white thing. Continue reading →
Ok, I really love this Milly print. I spotted it sitting high up on the top row of a wall full of fabrics in a tiny NYC garment district shop. Couldn’t touch it, couldn’t even see closely, but something about it called out to me.
When they finally got the bolt down for me, I swooned.
I’ve made a point of collecting Milly fabrics where I can. The prints are always engaging, the quality is fantastic, and if you can located the original garment then there’s good inspiration for your own ideas.
Well, I’ve just set the scene for Chl0e in the post underneath this one (now further down in this blog). This particular cotton is from one of Chl0e’s best collections and made runway appearances as these dresses and tops.
The cooler seasons will be upon us before we know and I for one can’t be happier as I am a true winter lover. I have a very big stash, full stop, and it includes a fair share of woollens and cooler weather fabrics. I do need to cull some, and my Missoni fabrics are amongst them.
This was a Milly favourite from a few years back, a fabulous silk that sort of suggests an oriental influence with the print pattern, hence the spider mums reference, but that could be just a rorchach test thing going on.
Phoebe Philo is well and truly anointed as queen of cool for the work she has done at Celine. Innovative silhouettes, high restraint, opting for less rather than more, though never ‘simple’, luxury fabrics, surprising twists, healthy doses of irony in the clothes…cool, cool, cool.
But before there was Celine, quite few years back, there was Chloe. It is quite a mark of her design prowess to be able to master aesthetics at such different points on the spectrum as Celine and Chloe represent. At its height and throughout many seasons, Chloe was the epitome of the feminine romantic. And the whole world was in love with what Phoebe sent down the runway. Especially this jacket…
This is a New York designer fabric, not sure which designer though. It is a substantial silk/lycra fabric.
The fabric is fluid and completely malleable. It has the texture of a crepe de chine, but it is much closer to a 4ply weight silk, though it falls just a little bit short of that classification. It is a really top quality silk; just wonderful.
When I look closely at this fabric it appears to be a cross-hatch print. When I look from a distance it seems to have strong Ikat characteristics. I think it is a combination of both of these graphics.
I admit I am really drawn to crosshatch prints (and there is another crosshatch type fabric I am also posting with this lot), especially if there is something a little bit different about them, as with this print where the crosshatch has become all swirling.
Now that I’m looking at this silk it really presents as a sampler of symbols and motifs from traditional Japanese textiles, especially kimonos and haori, but presented in a completely modern way.
The Mums are one of the most dominant features in Japanese designs and they are exploding all over this fabric, but you also see the bamboo leaves, the background hexagons and may other traditional symbols. Continue reading →
A profusion of embroidered green blooms adorns this high-quality dupion silk. This fabric was an exclusive fabric from one of the mills that used to produce some of the best embroidered textiles out of Rajasthan. Continue reading →
I'm a mad fabric collector but I've gone a bit overboard, so I've started this blog to re-home some gorgeous, top-quality fabrics at really great prices. Mostly ex-designer fabrics from places like New York's garment district and Milan's fabric mills, and mostly single pieces. Please see the 'About' and 'FAQ' at the top of this page for more info. (Australia only)